In Coralie Fargeat's brand-new feminist scary flick The Substance, hazardous social appeal standards are the real monsters. They (female objectification, the fingertip of "the outdated," the proliferation of a market built on body modification) feed a creature of a pattern that leads Demi Moore's fading television individual character Elisabeth https://crossbearerclips.wikijm.com/956816/margaret_qualley_in_the_substance